![]() ![]() Bawa also lowered the ridge of the hill here to be able to catch a glimpse of the water at the far end and placed a large antique Chinese jar whose silhouette catches the eye as it sweeps over the hill towards the southern horizon.īawa continued to shape and change Lunuganga until the very end of his practice when he was taken ill and immobile. The salty water of the lake, which is actually a lagoon branching from the Bentota River, explains Bawa’s name for the garden “lunu-ganga” or “salt-river”. It was enormously exciting, and the morning after the dramatic breaking of walls and the feel of possession the adventure began-and(sic) adventure that has lasted 40 years and the pleasure of which has never palled.” Much later, in the process of working on the monograph Lunuganga published by Bawa with Christoph Bon and Dominic Sansoni in the late 1980s, he wrote to his friend Jean Chamberlain of the effort, “When I had first seen Lunuganga I had known that with a first few clearings of trees and opening up of obvious vistas an inevitable basic pattern would emerge. Upon seeing the land, Bawa at once knew that with some operations, it could be transformed as he envisioned. Geoffrey Bawa purchased a neglected rubber plantation on Sri Lanka’s south coast in Bentota, in January 1948, on the eve of Sri Lanka’s independence from British colonial rule. From the onset, Bawa was intent on finding a land with a connection to the water, and it took a considerable search to arrive at Lunuganga. ![]()
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